Ki Enthus Susmono: Skandal Performatif Don Juan dan Kebaruan Gagrag Pedalangan
Abstract
This article analyzes Ki Enthus Susmono’s performance through observing some of his previous performances, with the performance idea of Shoshana Felman (2003) in his book, The Scandal of Speaking Body: Don Juan with J.L. Austin, or Seduction in Two Languages, which reads the Don Juan theater by Molière. As a result, it was found that there were similarities between promises by J.L. Austin, Don Juan and Ki Enthus Susmono. Ki Enthus Susmono’s performance has been successfully built through the eclectic, parody and irony representation of postmodern art, which shows the reality of his body’s actions, has been produced repeatedly to produce certain effects so that it becomes a habit (myth). Through his performativity, Ki Enthus Susmono showed his success in building a novel marker of gagrag puppetry.
Artikel ini menganalisis performativitas Ki Enthus Susmono melalui pengamatan beberapa rekaman pertunjukannya terdahulu, dengan gagasan performativitas Shoshana Felman (2003) dalam bukunya, The Scandal of The Speaking Body: Don Juan with J.L. Austin, or Seduction in Two Languages, yang membaca teater Don Juan karya Molière. Hasilnya, ditemukan bahwa ada kesamaan antara tindakan janji oleh J.L. Austin,
Don Juan dan Ki Enthus Susmono. Performativitas Ki Enthus Susmono berhasil dibangun melalui strategi representasi seni postmodern yang eklektis, parodi, dan ironi, yang menunjukkan realitas tindakan tubuhnya, telah diproduksi berulangkali untuk menghasilkan efek tertentu sehingga menjadi kebiasaan (mitos). Melalui performativitasnya tersebut, Ki Enthus Susmono menunjukkan keberhasilannya membangun penanda kebaruan gagrag pedalangan.
Keywords
Full Text:
PDFReferences
a. Acuan
Andrieu, Sarah Anaïs. 2017. Raga Kayu Jiwa Manusia Wayang Golek Sunda. Jakarta: Gramedia.
Austin, J.L. 1962. How to Do Things with Words. Cambridge, Massachusetts: Harvard University Press.
Boonstra, Sadiah Nynke. 2014. “Changing Wayang Scenes: Heritage Formation and Wayang Performance Practice in Colonial and Postcolonial Indonesia”. [Disertasi]. Vrije Universiteit Amsterdam.
Cahya. 2014. “Garap Pertunjukan Wayang Golek Sunda: Sajian Tjetjep Supriadi, Dede Amung Sutarya, dan Asep Sunandar Sunarya”. [Disertasi]. Yogyakarta: Sekolah Pengkajian Seni Pertunjukan dan Seni Rupa Universitas Gadjah Mada Yogyakarta.
Claeys, Sarah. 2007. “How to Do Things With Butler: An Inquiry The Origin Citattion and Application of Judith Butler’s Theory of Performativity”. Faculteit Letteren en Wijsbegeerte, Universiteit Gent.
Derrida. [1972] 1988. “Signature, Event, Context,” in Limited Inc., translated by Samuel Weber and Jeffrey Mehlman, 1–24. Evanston, IL: Northwestern University Press.
Emerson, Kathryn. 2016. “Transforming Wayang for Contemporary Audiences: Dramatic Expression in Purbo Asmoro’s Style 1989- 2015”. [Disertasi]. Universiteit Leiden.
Felman, Shoshana. 2003. The Scandal of The Speaking Body: Don Juan with J.L. Austin, or Seduction in Two Languages. California: Stanford University Press.
Groenendael, Victoria M.C. 1987. Dalang Dibalik Wayang. Jakarta: Pustaka Utama Grafiti. Pemberton, John. 2003. “Jawa” on The Subject of “Java”. Yogyakarta: Mata Bangsa.
Poerwadarminta, WJS. 1939. Baoesastra Djawa. Batavia: Percetakan J.B. Wolters.
Shiraishi, Saya Sasaki. 2009. Pahlawan-Pahlawan Belia. Jakarta: Nalar.
Schechner, Ricard. 2013. Performance Studies: An Introduction (Third Edition). New York: Routledge.
Sugiharto, I. Bambang. 2017. Postmodernisme, Tantangan Bagi Filsafat. Yogyakarta: Kanisisus.
Sukistono, Dewanto. 2013. “Wayang Golek Menak Yogyakarta, Bentuk dan Struktur Pertunjukannya”. [Disertasi]. Yogyakarta:
Sekolah Pascasarjana Prodi Pengkajian Seni Pertunjukan dan Seni Rupa, Universitas Gadjah Mada Yogyakarta.
Sumarsam. 2018. Memaknai Wayang dan Gamelan Temu Silang Jawa, Islam dan Global. Yogyakarta: Gading.
Sunardi, St. 2012. Lagune Cara Landa kok Tembunge basa Jawa: Perspektif Pascakolonial dalam Kajian Religi, Vodka dan Birahi Seorang “Nabi”: Esai-esai Seni dan Estetika. Yogyakarta: Jalasutra.
Susmono, Enthus. 2016. Pakeliran Wayang Gagrak Tegal: Jati Kusuma. Prambanan: Rumah Empu.
_____________. 2016. Wayang Gagrak Tegal.
Prambanan: Rumah Empu.
Vulic, Ana. 2012. “From a Misfire to an Open Future: Repetition, Performativity, and The Promise of The Metaphor”. Jurnal Forum:
University of Edinburgh Postgraduate Journal of Culture and the Arts.
Wheale, Nigel. 1995. The Postmodern Arts: an introductory reader. New York: Routledge.
b. Audio-Visual
Ki Enthus Susmono. Lakon Kembang Wijaya Kusuma, Wayang Golek Gagrag Tegalan dalam rangka penutupan Hari Wayang Dunia 2016 ISI Surakarta. Sumber: youtube [10 April
.
Ki Enthus Susmono. Lakon Cupu Manik Asvagina, Wayang Kulit Pentas Rutin Jum’at Kliwonan, Taman Budaya Jawa Tengah, Surakarta 17 Maret 2011. Sumber: Pusat Audio Visual
Dinas Kebudayaan dan Pariwisata, Taman Budaya Jawa Tengah (koleksi pribadi).
Ki Enthus Susmono. Lakon Sugriwa-Subali, Wayang Kulit tayangan televisi Indosiar tahun 1997. Sumber: youtube [10 April 2018].
Ki Enthus Susmono. Lakon Surgiwa-Subali, Wayang Kulit tayangan televisi Indosiar tahun 2001. Sumber: youtube [10 April 2018].
Ki Enthus Susmono. Lakon Pandhawa Gugat, Wayang Kulit ditayangkan di TVRI Jatim (TT). Sumber: youtube [10 April 2018].
Ki Enthus Susmono. Lakon Dewa Ruci, Wayang Kulit Puppet Festival 2009, Denpasar Bali. Sumber: youtube [10 April 2018].
Ki Enthus Susmono. Lakon Pandhawa Bangkit, Wayang Kulit Harlah PKB ke 15, Jakarta 2013. Sumber: youtube [12 April 2018].
Ki Enthus Susmono. Lakon Dewa Ruci, “Wayang SUPERSTAR Dewa Ruci Poppenspeler Ki Enthus Susmono met Gamelan Orkest”, tahun 2009. Sumber: Facebook Anggit
Rianansyah, diunggah pada 18 Maret 2019, 00.36 WIB. [diunduh pada 19 Maret 2019].
Ki Enthus Susmono. Lakon Resi Adam Awal-Adam Akhir, Wayang Golek Gagrag Tegalan, pesta sedekah laut Pelabuhan Tegal, Desember 2017. Sumber: youtube [10 April 2018].
DOI: https://doi.org/10.24821/wayang.v3i2.3147
Article Metrics
Abstract view : 0 timesPDF - 0 times
Refbacks
- There are currently no refbacks.
This work is licensed under a Creative Commons Attribution 4.0 International License. ISSN 2356-4776 (print) | ISSN 2356-4784(online).