VISUALISASI SUDUT PANDANG TOKOH UTAMA DENGAN PENERAPAN GRAYSCALE PADA PENYUTRADARAAN FILM FIKSI “DANILA”

Adina Iffah Izdihar, Agnes Widyasmoro, Alexandri Luthfi Rahman

Abstract


ABSTRACT

The accountability of the artwork thesis Visualization of the Main Figures with Grayscale Application in the Directing of "Danila" Fiction Film aims to create audio-visual works with a cinematographic approach, point of view, and the application of grayscale as a symbol of the main character's emotional representation. The film "Danila" tells the life of a teenager who has psychological trauma that in this film, caused by a deep sense of loss over the death of her mother which was further aggravated by a change in the attitude of his father by becoming a workaholic who is rarely at home. Feelings of sadness, loss, and loneliness that are increasingly accumulating change Danila's character and way of dealing with life.

Cinematographic techniques with handheld camera movement, the use of camera angle POV that dominate, and the application of grayscale in Danila's visual point of view are intended to support the storyline, character subjectivity as teenagers who have psychological trauma, and as emotional representations when Danila experiences various kinds of daily life problems day.

 

Keywords: Directing, Film, Grayscale.

 

ABSTRAK

Pertanggungjawaban skripsi penciptaan seni Visualisasi Sudut Pandang Tokoh Utama dengan Penerapan Grayscale pada Penyutradaraan Film Fiksi “Danila” bertujuan untuk menciptakan karya audio visual dengan pendekatan sinematografi, sudut pandang, dan penerapan grayscale sebagai simbol representasi emosi tokoh utama. Film “Danila” menceritakan kehidupan remaja yang memiliki trauma psikologis yang pada film ini, disebabkan karena rasa kehilangan mendalam atas kematian sang ibu yang kemudian diperparah dengan perubahan sikap sang ayah dengan menjadi seorang workaholic yang jarang berada di rumah. Rasa sedih, kehilangan, dan kesepian yang kian menumpuk merubah karakter dan cara Danila dalam menghadapi kehidupan.

Teknik sinematografi dengan pergerakan kamera handheld, penggunaan POV camera angle yang mendominasi, dan penerapan grayscale dalam visual sudut pandang Danila ditujukan untuk mendukung jalan cerita, subjektifitas tokoh sebagai remaja yang memiliki trauma psikologis, dan sebagai representasi emosi saat Danila mengalami berbagai macam problematika kehidupan sehari-hari.

 

Kata kunci: Penyutradaraan, Film, Grayscale


Full Text:

hal 61-70

References


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Lestari, Sri. Psikologi Keluarga: Penanaman Nilai dan Penangan Konflik dalam Keluarga. Jakarta: Prenada Media Grup, 2013.

Budiman, Kris. Semiotika Visual: Konsep, Isu dan Problem Ikonisitas. Yogyakarta: Jalasutra Anggota IKAPI, 2011.

Wright, Angela. Color Psychology (the “Colour Affects” system). UK: OKI Printing Solutions, 2002.




DOI: https://doi.org/10.24821/sense.v2i1.5073

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