Karawitan Pakeliran Gaya Kedu Bagelen
Abstract
Karawitan pakeliran gaya Kedu Bagelen merupakan salah satu gaya Kedu yang berkembang di wilayah
Purworejo. Fungsi karawitan tertuang dalam sajian-sajian gending yang disesuaikan dengan adegan-adegan
pakeliran. Karawitan berfungsi membantu menciptakan suasana adegan dan karakter tokoh wayang. Struktur
penyajian gending terdiri dari gending Pengawe-awe yang berbentuk ladrang dilanjutkan dengan bagian gending
Gagalan berbentuk ketuk 2 kerep minggah ketuk 4 kerep. Gending tersebut laras slendro patet sanga. Bagian gending
pakeliran terangkai dari awal pertunjukan atau bedhol kayon sampai akhir pertunjukan atau tancep kayon. Metode
deskriptif analisis digunakan dalam penelitian ini untuk mengungkap penyajian gending-gending dalam karawitan
pakeliran gaya Kedu Bagelen. Ciri khas yang membedakan dengan karawitan pakeliran yang lain terletak pada garap
balungan gending.
Kata kunci: karawitan, pakeliran, wayang Kedu, Bagelen
ABSTRACT
Gammelan Music for Wayang of Kedu Bagelan Style. The Javanese musical functions are expressed in gending
instruments adjusted into pakeliran scenes; the instrument helps in creating the scene atmosphere and puppet characters.
Kedu Bagelen musical style has its own characteristics which are different from other styles. The structure of gending
instrument presents gending Pengawe-awe in ladrang notation followed by parts of gending Gagalan which consists of 2 kerep
minggah rhythms and 4 kerep rhythms. Gending instrument applies the notation of laras slendro patet sanga. The series
of gending pakeliran are sequenced from bedhol kayon / opening scene until tancep kayon/ending scene of the puppet show. The research applied descriptive method of analysis in revealing the presentation of gending in Kedu Bagelen pakeliran musical style. There were several characteristics that distinguished it from other pakeliran music. The most prominent specifi cation of pakeliran work on Bagelen Kedu musical styles lied on the work of balungan gending
Keywords: gamelan music, wayang performance, Kedu Bagelen
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PDFDOI: https://doi.org/10.24821/resital.v12i1.464
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