Eksperimentasi Permasalahan Teknik-teknik pada Cello Concerto No.1 Bagian Pertama “Allegretto” Karya Dmitri Shostakovich
Abstract
ABSTRAK
Penguasaan teknik bagi seorang resitalis merupakan suatu keharusan, sesuai dengan tingkat kesulitan teknis yang ingin dicapai. Penulis mengacu pada penandaan teknis oleh pemain cello Mstislav Rostropovich untuk fingering dan bowing dalam repertoar pertama Cello Concerto No. 1 karya Dmitri Shostakovich yang kemudian ditemukan ketidakcocokan dalam preferensi pertimbangan teknis dan membuat penulis ingin mencoba bereksperimen untuk memecahkan masalah kesulitan teknis dalam repertoar tersebut.
Technical Problems Experimentation in The Cello Concerto No.1, First Movement "Allegretto" by Dmitri Shostakovich
ABSTRACT
A recitalist's mastery of technique is a must, according to the level of desired achievements of technical difficulties. The author refers to the technical markings by cellist Mstislav Rostropovich for fingerings and bowings in the first cello concerto No.1 by Dmitri Shostakovich, which later was found discrepancies in the preferences of technical considerations, thus have made the author want to try to solve technical problems in the repertoire in a more personal way.
Keywords
Full Text:
PDFReferences
Christ, William. De Lone, Richard. (1975). Introduction to Material sand Structure of Music. New Jersey: Prentice-Hall, Inc.
Cherinevsky, David. (1952). Casals’ Teaching of The Cello. The Musical Times, Vol. 93, No. 1315, Sep. 1952, pp. 398-400.
Denzin, Norman K. Lincoln, Yvonna S. (2000). Handbook of Qualitative Research. California, USA: Sage Publication. Pvt. Ltd.
Eisenberg, Maurice. (1980). Cello Playing of Today. Great Britain: Novello & Company Limited.
Fanning, David., dkk. (2011). The Cambridge Companion to Shostakovich. United Kingdom: Cambridge University Press.
Hepokoski, James. Darcy, Warren. (2006). Elements of Sonata Theory: Norms. Types, and Deformations in The Late - Eighteenth-Century Sonata. New York: Oxford University Press.
Irnanningrat, Sang Nyoman Satria. (2017). Peran Kemajuan Teknologi dalam Pertunjukan Musik. INVENSI: Jurnal Penciptaan dan Pengkajian Seni, Vol. 2, No 1.
Kerman, Joseph. (1976). Listen. New York: Worth Publisher.
P. Keefe, Simon., dkk. (2011). The Cambridge Companion to Concerto. United Kingdom: Cambridge University Press.
Pleeth, William. (1982). Yehudi Menuhin Music Guides: Cello. London: McDonald & Co Neelman.
Prabawa, Kukuh Anarbuka. et. al. (2021). Perspektif Pendidikan Seni Musik Berorientasi Humanistik. INVENSI: Jurnal Penciptaan dan Pengkajian Seni, Vol. 6, No 1.
Provost, Richard. (1992). The Art & Technique of Performance. San Fransisco: Guitar Solo Publications.
Randel, Don Michael. (1999). The Harvard Concise Dictionary of Music and Musicians. United States of America: The President and Fellows of Harvard College.
Rink, John., dkk. (2001). Musical Performance: A Guide to Understanding. London: University of London.
Sadie, Stanley. (1980). The New Grove Dictionary of Music and Musicians. United Kingdom: Oxford University Press.
Stein, Leon. (1962). Structure and Style: The Study and Analysis of Musical Forms. United States of America: Summy-Birchard Company.
Webtografi
http://www.oxfordmusiconline.com.libproxy1.nus.edu.sg/subscriber/article/grove/music/40737?q=concerto&search=quick&pos=1&_start=1#firsthit diakses pada tanggal 5 Maret 2017
https://en.wikipedia.org/wiki/Lady_Macbeth_of_the_Mtsensk_District_(opera) diakses pada tanggal 12 April 2017
http://quartets.de/composition/ssq08.html diakses pada tanggal 13 April 2017
DOI: https://doi.org/10.24821/invensi.v6i2.5462
Article Metrics
Abstract view : 0 timesPDF - 0 times
Refbacks
- There are currently no refbacks.
Copyright (c) 2021 Neam Sahiqa Raya, Asep Hidayat, Ayub Prasetyo
Editorial Address:
Graduate School of the Indonesia Institute of the Arts Yogyakarta
Jalan Suryodiningratan 8 Yogyakarta 55143, Indonesia
Telp./Fax: 0274 419791
email : jurnal.invensi@isi.ac.id
This work is licensed under a Creative Commons Attribution 4.0 International License.
View my stat Visitors