MENGKREASI TEKS DRAMA(TIK) MELALUI KONSEPSI LAJOS EGRI: PERSOALAN TEORI, METODE DAN EVALUASI

Purwanto Lephen

Abstract


Research on the creation of drama(tic) texts still leaves issues of theory, method and evaluation of early works (prototypes) before the work is published. One of the most commonly used theories is that of Lajos Egri. Lajos Egri has not mentioned the source of drama text creation, the methods used, and the evaluation that must be done in order to become a quality drama work. The study method used relates to empirical experience, observation and literature review of research-based drama text creation. As a result, the theory of drama text creation (Lajos Egri) can be used by adding creation sources, creation methods, evaluation of initial creation, stabilising the quality of the work with a certain structure or aesthetic, and publication of the work. Further research can be conducted on modifying Lajos Egri's theory for the creation of visual theatre, body theatre, musical theatre and audio theatre texts. 


References


Anderson, S. C. (1991). Lies and more lies fact and fiction in günter grass’s die Rättin. Germanic Review, 66(3), 106–112. https://doi.org/10.1080/00168890.1991.9936534

Ardiyanto, I. (2014). Penciptaan Naskah Drama “Bacakak” Terinspirasi Konflik Adat Minangkabau Sumatera Barat.

Atussholihah, H. M. (2021). Penciptaan Naskah Drama “Derana.” Institut Seni Indonesia Yogyakarta.

Bingham, D. J., & Jefford, C. N. (2016). “Introduction.” In Intertextuality in the Second Century (pp. 1–7). Brill.

Darma, B. (2011). Penciptaan Naskah Drama “Ambu Hawuk” Berdasarkan Tradisi Lisan dan Perspektif Jender. Resital: Jurnal Seni Pertunjukan, 1(12), 55–64. http://scioteca.caf.com/bitstream/handle/123456789/1091/RED2017-Eng-8ene.pdf?sequence=12&isAllowed=y%0Ahttp://dx.doi.org/10.1016/j.regsciurbeco.2008.06.005%0Ahttps://www.researchgate.net/publication/305320484

Devitasari, V. (2018). Penciptaan Naskah Drama “Bhre Satya Palastra” [Institut seni Indonesia Yogyakarta]. http://digilib.isi.ac.id/id/eprint/8497

Egri, L. (1960a). The Art of Dramatic Writing: in the Basics in the Creative Interpreatation of Human Motives. A Touchstone Book. http://www.worldcat.org/oclc/971247273

Egri, L. (1960b). The Art of Dramatic Writing: Its Basic in the Creative Interpretation of Human Motives. A Touchstone Book Published by Simon & Schuster. https://doi.org/10.1386/josc_00030_5

Fasya, Z. E. F. (2014). Penciptaan Naskah Drama “Modus Spionase” Terinspirasi dari Kasus Transaksi Narkoba di Lembaga Pemasyarakatan. Institut Seni Indonesia Yogyakarta.

Goldstein, C. (1988). Visual Fact Over Verbal Fiction: A Study of the Carracci and the Criticism, Theory, and Practice of Art in Renaissance and Baroque Italy. Cambridge University Press.

Gronmo, S. (2020). Sosial Research Method: Qualitative, Quantitative and Mixed Methods Approaches. SAGE.

Jauss, H. R. (2005). Toward an Aesthetic of Reception. University of Minnesota Press.

Laseau, P. (2015). Graphic Thinking for Architects & Designers (3rd ed.). John Wiley & Sons. Inc.

Leavy, P. (2017). Reserach Design: Quantitative, Qualitative, Mixed Methods, Arts-Based, and Community-Based Participatory Research Approaches. The Guilford Press.

Magee, R. (2004). Transplantation: Fantasy, Fiction and Fact. ANZ Journal of Surgery, 74(3), 171–174. https://doi.org/1046/j.1445-2197.2003.02921.x

Norris, C. (2004). Deconstruction: Theory and Practice (3rd ed.). Routladge Taylor & Francis Group.

Nurrohmah, S., Yudiaryani, & Kuardhani, H. (2024). Penciptaan Naskah Drama “ Ibu dan Matematika” Berdasarkan Fenomena Childfree dengan Semangat Pembebasan Tubuh Perempuan. IDEA: Jurnal Ilmiah Seni Pertunjukan, 18(2), 95–103. https://journal.isi.ac.id/index.php/IDEA

Pavis, P. (1992). Theatre Crossroads of Culture (trans. Lor). Routledge.

Pratama, I. (2013). “Meninggalkan Ilham Merayakan Studi.” In I. Pratama (Ed.), Antologi Bengkel Penulian Naskah Drama Dewan Kesenian Jakarta. Dewan Kesenian Jakarta.

Putrianti, E. (2018). Penciptaan Naskah Drama “Lolo” Transformasi Kehidupan Penari Sintren Pemalang. Institut Seni Indonesia Yogyakarta.

Rahayuningtiar, T. (2012). Penciptaan Naskah Drama “Narcissus” Berdasarkan Mitologi Yunani. Resital: Jurnal Seni Pertunjukan, 13(2), 127–138. http://scioteca.caf.com/bitstream/handle/123456789/1091/RED2017-Eng-8ene.pdf?sequence=12&isAllowed=y%0Ahttp://dx.doi.org/10.1016/j.regsciurbeco.2008.06.005%0Ahttps://www.researchgate.net/publication/305320484_

Riantiarno, N. (2003). Menyentuh Teater: Tanya Jawab Seputar Teater Kita. MU3 Books.

Santoso, A., tulus utama, G., & kumala sari, P. (2023). Penciptaan Naskah drama Pendek Anak Bersumberkan Koleksi Permainan Tradisional Anak Jambi di Museum Siginjei, Jambi. Jurnl Cerano Seni: Pengkajian Dan Penciptaan Seni Pertunjukan, 02(02), 1–13.

Septiyani, I. Y. (2023). Penciptaan Naskah Drama “Tiga Wanita” Terinspirasi dari Fenomena Generasi Sandwich. Institut Seni Indonesia Yogyakarta.

Sulistiyo, F. E. (2013). Penciptaan naskah Drama “Wwatan Mas” Terinspirasi dari Sejarah Runtuhnya Kerajaan Medhang Abad X. Institut Seni Indonesia Yogyakarta.

Sumarno, R. (2009). Penciptaan Naskah Drama “Pemberontakan Sisifus.” Resital: Jurnal Seni Pertunjukan, 10(1), 60–71. http://scioteca.caf.com/bitstream/handle/123456789/1091/RED2017-Eng-8ene.pdf?sequence=12&isAllowed=y%0Ahttp://dx.doi.org/10.1016/j.regsciurbeco.2008.06.005%0Ahttps://www.researchgate.net/publication/305320484_SISTEM_PEMBETUNGAN_TERPUSAT_STRATEGI_MELESTARI

Yuliana. (2015). Penciptaan Naskah Drama Baridin dan Ratminah. Institut Seni Indonesia Yogyakarta.

Yunan, M. D. (2015). Fenomena Konflik Etnis di Kalimantan Barat sebagai Inspirasi Penciptaan Naskah Drama “Junjung Sumpah.” Institut Seni Indonesia Yogyakarta.

Anderson, S. C. (1991). Lies and more lies fact and fiction in günter grass’s die Rättin. Germanic Review, 66(3), 106–112. https://doi.org/10.1080/00168890.1991.9936534

Ardiyanto, I. (2014). Penciptaan Naskah Drama “Bacakak” Terinspirasi Konflik Adat Minangkabau Sumatera Barat.

Atussholihah, H. M. (2021). Penciptaan Naskah Drama “Derana.” Institut Seni Indonesia Yogyakarta.

Bingham, D. J., & Jefford, C. N. (2016). “Introduction.” In Intertextuality in the Second Century (pp. 1–7). Brill.

Darma, B. (2011). Penciptaan Naskah Drama “Ambu Hawuk” Berdasarkan Tradisi Lisan dan Perspektif Jender. Resital: Jurnal Seni Pertunjukan, 1(12), 55–64. http://scioteca.caf.com/bitstream/handle/123456789/1091/RED2017-Eng-8ene.pdf?sequence=12&isAllowed=y%0Ahttp://dx.doi.org/10.1016/j.regsciurbeco.2008.06.005%0Ahttps://www.researchgate.net/publication/305320484_

Devitasari, V. (2018). Penciptaan Naskah Drama “Bhre Satya Palastra” [Institut seni Indonesia Yogyakarta]. http://digilib.isi.ac.id/id/eprint/8497

Egri, L. (1960a). The Art of Dramatic Writing: in the Basics in the Creative Interpreatation of Human Motives. A Touchstone Book. http://www.worldcat.org/oclc/971247273

Egri, L. (1960b). The Art of Dramatic Writing: Its Basic in the Creative Interpretation of Human Motives. A Touchstone Book Published by Simon & Schuster. https://doi.org/10.1386/josc_00030_5

Fasya, Z. E. F. (2014). Penciptaan Naskah Drama “Modus Spionase” Terinspirasi dari Kasus Transaksi Narkoba di Lembaga Pemasyarakatan. Institut Seni Indonesia Yogyakarta.

Goldstein, C. (1988). Visual Fact Over Verbal Fiction: A Study of the Carracci and the Criticism, Theory, and Practice of Art in Renaissance and Baroque Italy. Cambridge University Press.

Gronmo, S. (2020). Sosial Research Method: Qualitative, Quantitative and Mixed Methods Approaches. SAGE.

Jauss, H. R. (2005). Toward an Aesthetic of Reception. University of Minnesota Press.

Laseau, P. (2015). Graphic Thinking for Architects & Designers (3rd ed.). John Wiley & Sons. Inc.

Leavy, P. (2017). Reserach Design: Quantitative, Qualitative, Mixed Methods, Arts-Based, and Community-Based Participatory Research Approaches. The Guilford Press.

Magee, R. (2004). Transplantation: Fantasy, Fiction and Fact. ANZ Journal of Surgery, 74(3), 171–174. https://doi.org/1046/j.1445-2197.2003.02921.x

Norris, C. (2004). Deconstruction: Theory and Practice (3rd ed.). Routladge Taylor & Francis Group.

Nurrohmah, S., Yudiaryani, & Kuardhani, H. (2024). Penciptaan Naskah Drama “ Ibu dan Matematika” Berdasarkan Fenomena Childfree dengan Semangat Pembebasan Tubuh Perempuan. IDEA: Jurnal Ilmiah Seni Pertunjukan, 18(2), 95–103. https://journal.isi.ac.id/index.php/IDEA

Pavis, P. (1992). Theatre Crossroads of Culture (trans. Lor). Routledge.

Pratama, I. (2013). “Meninggalkan Ilham Merayakan Studi.” In I. Pratama (Ed.), Antologi Bengkel Penulian Naskah Drama Dewan Kesenian Jakarta. Dewan Kesenian Jakarta.

Putrianti, E. (2018). Penciptaan Naskah Drama “Lolo” Transformasi Kehidupan Penari Sintren Pemalang. Institut Seni Indonesia Yogyakarta.

Rahayuningtiar, T. (2012). Penciptaan Naskah Drama “Narcissus” Berdasarkan Mitologi Yunani. Resital: Jurnal Seni Pertunjukan, 13(2), 127–138. http://scioteca.caf.com/bitstream/handle/123456789/1091/RED2017-Eng-8ene.pdf?sequence=12&isAllowed=y%0Ahttp://dx.doi.org/10.1016/j.regsciurbeco.2008.06.005%0Ahttps://www.researchgate.net/publication/305320484

Riantiarno, N. (2003). Menyentuh Teater: Tanya Jawab Seputar Teater Kita. MU3 Books.

Santoso, A., tulus utama, G., & kumala sari, P. (2023). Penciptaan Naskah drama Pendek Anak Bersumberkan Koleksi Permainan Tradisional Anak Jambi di Museum Siginjei, Jambi. Jurnl Cerano Seni: Pengkajian Dan Penciptaan Seni Pertunjukan, 02(02), 1–13.

Septiyani, I. Y. (2023). Penciptaan Naskah Drama “Tiga Wanita” Terinspirasi dari Fenomena Generasi Sandwich. Institut Seni Indonesia Yogyakarta.

Sulistiyo, F. E. (2013). Penciptaan naskah Drama “Wwatan Mas” Terinspirasi dari Sejarah Runtuhnya Kerajaan Medhang Abad X. Institut Seni Indonesia Yogyakarta.

Sumarno, R. (2009). Penciptaan Naskah Drama “Pemberontakan Sisifus.” Resital: Jurnal Seni Pertunjukan, 10(1), 60–71. http://scioteca.caf.com/bitstream/handle/123456789/1091/RED2017-Eng-8ene.pdf?sequence=12&isAllowed=y%0Ahttp://dx.doi.org/10.1016/j.regsciurbeco.2008.06.005%0Ahttps://www.researchgate.net/publication/305320484_

Yuliana. (2015). Penciptaan Naskah Drama Baridin dan Ratminah. Institut Seni Indonesia Yogyakarta.

Yunan, M. D. (2015). Fenomena Konflik Etnis di Kalimantan Barat sebagai Inspirasi Penciptaan Naskah Drama “Junjung Sumpah.” Institut Seni Indonesia Yogyakarta.




DOI: https://doi.org/10.24821/tnl.v22i1.15011

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