TRANSMISI BUDAYA MASYARAKAT ADAT BATAK TOBA DALAM PERGELARAN BUDAYA ULAON UNJUK DI TAPANULI UTARA
Abstract
This research examines the Ulaon Unjuk ritual in Sigotom Julu on December 2, 2022, with the aim of analyzing the performance elements and the cultural values transmitted through its execution. Ulaon Unjuk is a traditional marriage ritual of the Batak Toba community, which plays a crucial role in fulfilling the existential goals of hagabeon (prosperity in descendants), hamoraon (wealth), and hasangapon (honor). To this day, the Ulaon Unjuk ritual remains a mandatory practice to ensure that the bride and groom receive social validation as members of the Batak Toba indigenous community. As a marriage ritual, Ulaon Unjuk constitutes a cultural performance that encompasses elements of a staged event and facilitates the transmission of cultural values. This study employs a qualitative ethnographic approach for data collection, with the data subsequently analyzed narratively and inductively using a cultural performance framework. The findings are documented through ethnographic writing techniques. The results reveal that the Ulaon Unjuk ritual is carried out according to specific sequences and rules, is non-productive in nature, utilizes symbolic objects, and involves a designated performance space. These findings imply that Ulaon Unjuk includes performative aspects akin to theater. The ritual also incorporates the concept of Dalihan Na Tolu, which is central to the cultural values of the Batak Toba community, encompassing aspects such as patrilineality, clan (marga), marhobas (mutual assistance), tudu-tudu sipanganon (sharing of food), jambar (division of ritual objects), marsisisean (mutual respect), ulos (traditional cloth), tortor (traditional dance), tandok (ritual container), and others. In conclusion, the Ulaon Unjuk ritual represents a cultural performance that embodies theatrical elements and transmits the cultural values of the Batak Toba indigenous community through its enactment.
Keywords: Batak Toba, Cultural Transmission, Dalihan Na Tolu, Ulaon Unjuk
Full Text:
PDF (Bahasa Indonesia)References
Abdussamad, Z. (2021). Metode Penelitian Kualitatif (P. Rapanna (Ed.)). CV. syakir Media Press.
Abrahams, R. (1986). Ordinary and Extraordinary Experience. In The Anthropology of Experience. (V. Turner & E. Bruner (Ed.)). University of Illinois Press.
Bandem, I. M., & Murgiyanto, S. (1996). Teater Deerah Indonesia. Kanisius.
Bial, H. (Ed.). (2010). The Performance Studies Reader (Second Edi). Routledge.
Carlson, M. (1998). Performance: A Critical Introduction. Routledge.
Carlson, M. A. (1996). Performance: A Critical Introduction. https://doi.org/10.4324/9781315271026
Carlson, M., & Shafer, Y. (1990). The Play’s The Thing, An Introduction To Theatre. Addison-Wesley Longman Ltd.
Creswell, J. W. (2016). Researh Design: Pendekatan Kualitatif, Kuantitatif, dan Campuran (Edisi Keem). Pustaka Pelajar.
Ember, C. R., & Ember, M. (2016). Teori dan Metode Antropologi Budaya. In T. O. Ihromi (Ed.), Pokok-pokok Antropologi Budaya. Yayasan Pustaka Obor Indonesia.
Endraswara, S. (2003). Metodologi Penelitian Kebudayaan. Gadjah Mada University Press.
Fetterman, D. M. (1998). Ethnography: Step-by-Step (Second Edi). Sage Publications.
Fischer-Lichte, E. (2005). Theatre, sacrifice, ritual. Routledge.
Fischer-Lichte, E., Arjomand, M., & Mosse, R. (2014). The Routledge introduction to theatre and performance studies. In The Routledge Introduction to Theatre and Performance Studies. https://doi.org/10.4324/9780203068731
Gennep, A. van. (1960). The Rites of Passage. University of Chicago Press.
Grimes, R. L. (2006). Performance. In J. Kreinath, J. S. Stausberg, & M. Stausberg (Ed.), Theorizing Rituals: Issues, Topics, Approaches, Concepts. Brill.
H.P. Panggabean. (2007). Pembinaan Nilai-Nilai Adat Budaya Batak Dalihan Na Tolu. Penerbit Dian Utama.
Hall, S. (1997). Representation. Sage Publications.
Hamera, J. (2006). Performance, Performativity, and Cultural Poiesis in Practices of Everyday Life. In D. S. Madison & J. Hamera (Ed.), The SAGE handbook of performance studies. Sage Publications.
Hartnoll, P. (1995). The Theatre A Concise History. Thames and Hudson.
Hobart, A., & Kapferer, B. (2005). Aesthetics in Performance: Formations of Symbolic Construction and Experience (A. Hobart & B. Kapferer (Ed.)). Berghahn Books.
Kirshenblatt-Gimblett, B. (2015). Performance Studies. In H. Bial & S. Brady (Ed.), The Performance Studies Reader (Third Edit). Routledge.
Koentjaraningrat. (2015). Pengantar Ilmu Antropologi. PT Rineka Cipta.
Kusmayanti, H. (2000). Arak-arakan. Yayasan Untuk Indonesia.
Lewis, J. L. (2013). The Anthropology of Cultural Performance. Palgrave Macmillan.
Macgowan, Kenneth Melnitz, W. (1965). The Living Stage A History of the World Theater. Prentice Hall.
Madison, D. S., & Hamera., J. (Ed.). (2006). The SAGE handbook of performance studies. Sage Publications.
Miles, M. B., & Huberman, A. M. (1994). Qualitative Data Analysis: A Soucebook of New Methods. Sage.
Murgiyanto, S. (2018). Pertunjukan Budaya dan Akal Sehat. Penerbit Fakultas Seni Pertunjukan-IKJ (Institut Kesenian Jakarta).
Platvoet, J. G. (2006). Ritual: Religious and Secular. In J. Kreinath, J. Snoek, & M. Stausberg (Ed.), Theorizing Rituals: Issues, Topics, Approaches, Concepts (hal. 161–206). Brill.
Purba, K. (2002). Opera Batak Tilhang Serindo: pengikat budaya masyarakat Batak Toba di Jakarta. Kalika.
Purwanto. (2013). Etnografi Dampak Bom Bali Terhadap Pariwisata Budaya Pada Atraksi Wisata Teater Sekaa Tetekan Calonarang di Kelating, Kerambitan, Tabanan, Bali. Journal of Urban Society’s Art, 13(2), 1–29.
Sahid, N. (2017). Sosiologi Teater; Teori dan Penerapannya. Gigih Pustaka Mandiri.
Sathotho, S. F. (2023). Wiwitan Sebagai Pergelaran Budaya dalam Tinjauan Ekofeminisme. Dance & Theatre Review, 6(2), 73–81.
Schechner, R. (1985). Betwen Theater and Anthropology. University of Pennsylvania Press.
Schechner, R. (2007). Performance Theory. Routledge.
Simatupang, L. (2013). Pergelaran: Sebuah Mozaik Penelitian Seni-Budaya. Jalasutra.
Singer, M. (Ed.). (1959). Traditional India: Stucture and Change. American Folklore Society.
Singer, M. B. (1972). When a Great Tradition Modernizes: An Anthropological Approach to Indian Civilization. Pall Mall.
Spradley, J. P. (2006). Metode Etnografi. Tiara Wacana.
Sugiyono. (2010). Metode Penelitian Kualitatif (Edisi Keti). Penerbit Alfabeta.
Tracy, S. J. (2013). Qualitative Research Methods: Collecting Evidence, Crafting Analysis, Communicating Impact. Wiley-Blackwell.
Turner, V. (1991). The Ritual Process. Structure and Anti-Structure (1969).
Victor Turner. (1969). The Ritual Process: Structure and Anti-Structure. Routledge & Kegan Paul.
Victor Turner. (1982). From Ritual to Theater: The Human Seriousness of Play. PAJ.
Wilson, E., & Goldfarb, A. (2012). Living Theatre: History of Theatre. McGraw-Hill.
Winangun, Y. W. W. (1990). Masyarakat Bebas Struktur. Kanisius.
Yanti Heriyanti. (2016). Seni Pertunjukan dan Ritual. Penerbit Ombak.
DOI: https://doi.org/10.24821/tnl.v21i2.13759
Article Metrics
Abstract view : 0 timesPDF (Bahasa Indonesia) - 0 times
Refbacks
- There are currently no refbacks.