Making Wayang Along Anthropology and Art

Giulia Panfili

Abstract


Practices of art and anthropology are interlacing a dynamic dialog especially for the methodology of research, the process for awakening knowledge. Historically anthropology treated art in its various expressions as privileged field of study for being in a certain way caught up in social and cultural relations. Nowadays more and more the both practices share ways of thinking through making and making through thinking in processes of active going along, engagement with the surroundings and self-discovery. In researching how wayang kulit is being alive in Yogyakarta at the present on going time, art to be intended as creative doing and practical understanding became all in one object, subject and process of the research. Learning by making and performing wayang kulit as well as observing, sharing and discussing with people gives path to experience and question some issues about ways of knowledge and skill transmission; practices of growing between forces, materials and gestures; borders of completion of never-finished objects and practices; relations between practitioners, materials and surroundings; projections of imaginative design between local and global dynamics.

Keywords


anthropology and art, making, wayang kulit, liveness

Full Text:

PDF

References


Afonso, Ana Isabel. (2004), “New graphics for old stories. Representation of local

memories through drawings” (with drawings by Manuel João Ramos) in PINK,

Sarah, Kurti LÁSZLÓ and Ana Isabel AFONSO (eds.), Working Images. Visual

Research and Representation in Ethnography, pp. 72-89, New York: Routledge.

Andrieu, Sarah Anaïs. (2009), “Heritage and Paradox”, Inside Indonesia, nº 97, JulSep,

in

(consultedonNovember 14, 2014).

Appadurai, Arjun. (1986), The social life of things: Commodities in cultural

perspective, Cambridge: Cambridge University Press.

Banks, Marcus and Howard Morphy, eds. (1997), Rethinking Visual Anthropology,

New Haven: Yale University Press.

Bateson, Gregory and Margaret Mead. (1942), Balinese Character: A Photographic

Analysis, New York, New York Academy of Science.

Boonstra, Sadiah. (2014), Changing Wayang Scenes: Heritage Formation and Wayang

Performance Practice in Colonial and Postcolonial Indonesia, Amsterdam: VU

University.

ClifforD, James. (1988), “On Ethnographic Authority” in The Predicament of Culture.

Twentieth Century Ethnography, Literature and Art, pp. 21-54, Cambridge: MA.

Enwezor, Okwui. (2008), Archive Fever: uses of Document in Contemporary Art,

Gottingen, Steidl, New York: International Center of Photography.

Foster, H. (1996), The Artist as Ethnographer, The return of the real: The Avant-Garde at

the end of the century, Cambridge: MIT Press.

Gell, Alfred. (1998), Art and Agency: an Anthropological Theory, Oxford: Clarendon

Press.

Grimshaw, Anna. (2001), The Ethnographer’s Eye: Ways of Seeing in Modern

Anthropology, Cambridge: Cambridge University Press.

Ingold, Tim. (2011), Being Alive: Essays on Movement, Knowledge and Description,

London and New York: Routledge.

Ingold, Tim. (2013), Making. Anthropology, archaeology, art and architecture, London

and New York: Routledge.

Kuschnir. K., 2011, “Drawing the City. A Proposal for an Ethnographic Study in

Rio de Janeiro”, Vibrant, V.8 No. 2, pp. 609-642.

MacDougall, David (1998), Transcultural Cinema, Princeton University Press.

Morphy, H.; Perkins, M. (eds.), 2006, Anthropology of art: a reader, Oxford,

Blackwell.

Mrazék, Jan (2008), “Ways of Experiencing Art: Art History, Television, and Javanese

Wayang” in MRAZÉK, Jan and PITELKA, Morgan (eds.), What’s the Use of Art?,

pp. 272-304, Honolulu, University of Hawaii Press.

Pink, Sarah. (2004), “Situating visual research” in PINK, Sarah, Kurti László and Ana

Isabel Afonso (eds.), Working Images. Visual Research and Representation in

Ethnography, New York: Routledge.

Schechner, Richard. (2002), Performance Studies: An introduction, London, New

York: Routledge.

Schneider, Arnd and Christopher Wright, eds. (2010), Between Art and

Anthropology: Contemporary Ethnographic Practice, Oxford: Berg.

Smith, Laurajane. (2006), Uses of Heritage, London, New York: Routledge.

Taussig, Michael. (2011), I Swear I Saw This: Drawings In Fieldwork Notebooks, Namely

My Own, Chicago: University of Chicago Press.




DOI: https://doi.org/10.24821/ijcas.v3i1.1836

Article Metrics

Abstract view : 0 times
PDF - 0 times

Refbacks

  • There are currently no refbacks.


Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.

Visitors