Estetika Eeewahh dalam Rentak Joget

Rivaldi Ihsan, Asril Asril, Wilma Sriwulan

Abstract


Penelitian ini, bertujuan menggali konsep estetis eeewahh dalam rentak joget studi kasus pada Orkes Melayu Pancaran Senja (OMPS) dalam masyarakat Kampung Melayu Batu Besar Batam. Data diperoleh melalui pengamatan terlibat pada pementasan OMPS. Berdasarkan penelitian dapat disimpulkan bahwa Eeewahh merupakan fenomena estetis dari seorang penyanyi yang mengalami suasana senang, gembira, atau takjub ketika berada dalam keadaan klimaks saat sajian melodibagian interlud dalam teks lagu pantun rentak joget. Pada suasana ini akan muncul ucapan eeewahh sebagai ungkapan emosi rasa keindahan. Eeewahh dibangun oleh faktor eksternal dan internal. Faktor eksternal meliputi kondisi panggung pertunjukan, instrumen, dan pemusik. Faktor internal meliputi konsep musik logogenik, tritonik, tempo metronom 120, sukat 6/8, ekspresi kagum, gembira, dan canda tawa

Keywords


Eeewahh; Rentak joget; Pancaran Senja

Full Text:

PDF

References


Barnard, P. J. (2012). What Do We Mean by the Meanings of Music ? Empirical Musicology Review, 7(1), 69–80.

Cimardi, L. (2015). From “tribes” to “region”: Ethnicity and Musical Identity in Western Uganda. Periferia, 20(2), 44–59.

Cross, I. (2012). Musics, Cultures and Meanings: Music as Communication. Empirical Musicology Review, 7(1), 95–97.

Giddens, A. (2010). Teori Strukturasi Dasar-dasar Pembentukan Strukur Sosial Masyarakat. Yogyakarta: Pustaka Pelajar.

Lewis, J. (2012). Response to Richard Widdess: Music, Meaning, and Culture. Empirical Musicology Review, 7(1), 98–101.

Makale, H., & Article, R. (2015). Ankara Halk Müziğinin Tarihsel ve Geleneksel Temelleri *, 3(June), 1–12.

Martarosa. (2016). Apropriasi Musikal dan Estetika Musik Gamat. Resital Jurnal Seni Pertunjukan, 17(1), 19-29.

Nanni, M. (2014). Transmission of Musical Knowledge and History of European Culture in the Early Decades of the 15 Th Century. Musica Docta, 41–47.

Nita, A. M. (2011). Cultural Phenomena and Processes in Contemporary Society – Determinants of Cultural Policies. Revista de Stiinte Politice, (32), 1768–1774.

Pierobon, C. (2014). Political youth organisations, music and national identity in contemporary Russia. Studies of Transition States and Societies, 6(2), 39–56. https://doi.org/10.1002/hlca.19890720505

Rasic, M. (2016). Antropologija muzike : paradigme i perspektive. Zbornik Radova Akademije Umetnosti, 2016(4), 133–144.

Rhoads, D. (2010). Biblical Performance Criticism: Performance as Research. Part of a Special Issue: Oral Tradition in Judaism, Christianity, and Islam, 25(1), 157–197.

Sack, O. (2013). Musikofilia: Kisah-kisah Tentang Musik dan Otak. Jakarta: Indeks.

Santi, M. (2017). Choir singing: Performing Identities and Loyalties. Musicological Annual, 53(2), 91. https://doi.org/10.4312/mz.53.2.91-101

Takari, M., & Dewi, H. (2008). Budaya Musik dan Tari Melayu Sumatra Utara. Medan: USU Press.

Ustun Topal, T., Korkut, A., & Kiper, T. (2016). Local Identity Meeting With City: Cittaslow-Slow Cities Abstract. Idil Journal of Art and Language, 5(25), 1413–1430. https://doi.org/10.7816/idil-05-25-06

Widdess, R. (2012). Music, Meaning and Culture. Empirical Musicology Review, 7(1/2), 88–99. https://doi.org/10.5871/bacad/9780197264195.003.0007

Yasin, F. (2015). Gaya Kehidupan Malam Remaja di Kota Padang: Suatu Kajian Subkultur di Tempat Hiburan Malam Kota Padang. Jurnal Ilmu Sosial: Mamangan, 2(1), 59–71.




DOI: https://doi.org/10.24821/resital.v18i2.2446

Article Metrics

Abstract view : 0 times
PDF - 0 times

Refbacks

  • There are currently no refbacks.





This work is licensed under a Creative Commons Attribution 4.0 International License.