Menggabungkan Seni, Ilmu Pengetahuan, dan Teknologi: Eksplorasi HONF Terhadap Batas-batas Ekologi dan Ilmu Pengetahuan

Irene Agrivina Widyaningrum; Gilang Wahyu Apriliawan

doi:10.24821/invensi.v9i2.14193

Menggabungkan Seni, Ilmu Pengetahuan, dan Teknologi: Eksplorasi HONF Terhadap Batas-batas Ekologi dan Ilmu Pengetahuan

Irene Agrivina Widyaningrum, Gilang Wahyu Apriliawan

Abstract

House of Natural Fiber (HONF), yang didirikan pada tahun 1999 di Yogyakarta, Indonesia, merupakan sebuah kolektif seni inovatif yang menggabungkan seni, ilmu pengetahuan, dan teknologi untuk mengatasi masalah-masalah sosial, lingkungan, dan budaya yang mendesak. Proyek-proyek HONF, termasuk “Galactica V.2 Dharma Garden” dan “Immaculate Virtue,” mencontohkan pendekatan lintas-disiplin yang menggabungkan visualisasi data, kecerdasan buatan (artificial intelligence/AI), seni lingkungan (environmental art), dan ilmu saraf (neuroscience). “Galactica V.1-2.1 Dharma Garden” menata ulang hubungan antara spiritualitas, ekosistem, dan keberlanjutan, dengan menggunakan seni lingkungan spekulatif dan kecerdasan buatan untuk memodelkan sistem ekologi. “Immaculate Virtue” menggunakan AI dan neurofeedback untuk merepresentasikan kemurnian spiritual, mengubah interaksi audiens menjadi pengalaman yang dinamis dan imersif. Kedua karya tersebut membahas masalah ekologi, menekankan keberlanjutan, dan mengeksplorasi bagaimana seni memengaruhi kognisi dan emosi. Proyek-proyek HONF menyoroti dedikasi mereka untuk memajukan kolaborasi interdisipliner, memberdayakan masyarakat, dan memperluas cakrawala praktik seni kontemporer.

Combining Art, Science, And Technology: HONF's Exploration of Ecological and Scientific Frontiers

ABSTRACT

The House of Natural Fiber (HONF), established in 1999 in Yogyakarta, Indonesia, is an innovative art collective combining art, science, and technology to tackle pressing social, environmental, and cultural issues. HONF’s projects, including "Galactica V.2 Dharma Garden" and "Immaculate Virtue," exemplify a cross-disciplinary approach incorporating data visualization, artificial intelligence, environmental art, and neuroscience. "Galactica V.1-2.1 Dharma Garden" reimagines the connections between spirituality, ecosystems, and sustainability, using speculative eco-art and AI to model ecological systems. "Immaculate Virtue" employs AI and neurofeedback to represent spiritual purity, transforming audience interaction into dynamic, immersive experiences. Both works address ecological concerns, emphasize sustainability, and explore how art influences cognition and emotion. HONF's projects highlight their dedication to advancing interdisciplinary collaboration, empowering communities, and expanding the horizons of contemporary art practice.

Keywords

HONF, seni lingkungan, kecerdasan buatan, ilmu saraf, kolaborasi interdisipliner | HONF, environmental art, artificial intelligence, neuroscience, interdisciplinary collaboration

Full Text:

PDF

References

Art Science Museum – Marina Bay Sands. (2024). New Eden: Science fiction mythologies transformed. Id.Marinabaysands.Com.

https://id.marinabaysands.com/museum/exhibitions/new-eden.html

Bayazit, N. (2004). Investigating design: A review of forty years of design research. Design Issues, 20(1), 16–29.

https://doi.org/https://doi.org/10.1162/074793604772933739

Czegledy, N. (2020). Eco art: Art is life and life is embedded in nature. Ubiquity: The Journal of Pervasive Media, 7(1), 17–23.

https://doi.org/https://doi.org/10.1386/ubiq_00012_1

Dean, T., & Millar, J. (2005). Art works: Place. Thames & Hudson.

Eccles, C. (2024). Uncertain outcomes: An exploration of the interaction between art and science [Institute of Art, Design+ Technology].

https://hdl.handle.net/10779/iadt.25352509.v1

Gourgou, E., Willis, A. R., Giunti, S., Rosa, M. J. De, Charlesworth, A. G., Lima, M. H., Glater, E., Soo, S., Pereira, B., Akbaş, K., Deb, A., Kamak, M., Moyle, M. W., Traa, A., Singhvi, A., Sural, S., & Jin, E. J. (2020). A journey to ‘tame a small metazoan organism’, seen through the artistic eyes of C. elegans researchers. Journal of Neurogenetics, 34(3–4), 549–560. https://doi.org/https://doi.org/10.1080/01677063.2020.1839449

Graham, M. A. (2007). Art, ecology, and art education: Locating art education in a critical place-based pedagogy. Studies in Art Education, 48(4), 375–391. https://doi.org/https://doi.org/10.1080/00393541.2007.11650115

Hu, A. C., Sun, B. J., & Ng, W. K. Y. (2021). Is there a role for artistic training in surgery? Journal of Plastic, Reconstructive & Aesthetic Surgery, 74(4), 890–930. https://doi.org/https://doi.org/10.1016/j.bjps.2020.10.047

Huang, H. T. (2014). Networks of practice around open science: A case study on the House of Natural Fiber Foundation in Yogyakarta, Indonesia [Chulalongkorn University].

https://doi.org/http://doi.org/10.14457/CU.the.2014.409

Hujatnika, A., & Zainsjah, A. B. (2020). Artist Collectives in The Post-1998 Indonesia: Resurgence, or a Turn (?). AESCIART: International Conference on Aesthetics and the Sciences of Art, Bandung, Indonesia. https://doi.org/https://doi.org/10.51555/338617

Hutter, M., Knoblauch, H., Rammert, W., & Windeler, A. (2018). The reflexive creation of novelty; In Rammert, W., Windeler, A., Knoblauch, H., Hutter, M. (eds). In Innovation Society Today: Perspectives, Fields, and Cases (pp. 13–31). Springer VS. https://doi.org/https://doi.org/10.1007/978-3-658-19269-3_2

Joo, E. (2017). The House of Natural Fiber. Www.Veralistcenter.Org. https://www.veralistcenter.org/publications/the-house-of-natural-fiber

Jurriëns, E. (2013). Between utopia and real world: Indonesia’s avant-garde new media art. Indonesia and the Malay World, 41(119), 48–75. https://doi.org/https://doi.org/10.1080/13639811.2012.750103

Kera, D. (2011). Entrepreneurs, squatters and low-tech artisans: DIYbio and Hackerspace models of citizen science between EU, Asia and USA. 17th International Symposium on Electronic Art (ISEA2011), Istanbul, Turkey, 1–5. https://digitalartarchive.at/fileadmin/user_upload/Virtualart/PDF/83_9_Entrepreneurs__squatters_and_low-tech_artisans__DIYbio_and_Hackerspace_models-libre.pdf

Konopka, L. M. (2014). Konopka, L. M. (2014). Where art meets neuroscience: a new horizon of art therapy. , 55(1), 73. Croatian Medical Journal, 55(1), 73–74. https://doi.org/https://doi.org/10.3325/cmj.2014.55.73

Liping, L. (2014). The design of new media art: Combination of art and digital technologies. Proceedings of the 2014 2nd International Conference on Advances in Social Science, Humanities and Management. https://doi.org/https://doi.org/10.2991/asshm-14.2014.72

Manovich, L. (2003). New media from Borges to HTML. MIT Press. https://manovich.net/content/04-projects/033-new-media-from-borges-to-html/30_article_2001.pdf

Mazzone, M., & Elgammal, A. (2019). Art, creativity, and the potential of artificial intelligence. Arts, 8(1), 26.

https://doi.org/https://doi.org/10.3390/arts8010026

Michalarou, E. (2024). TRIBUTE: New Eden-science fiction mythologies transformed, part II. Www.Dreamideamachine.Com.

https://www.dreamideamachine.com/?p=92540

Shen, Y., & Yu, F. (2021). The influence of artificial intelligence on art design in the digital age. Scientific Programming, 1, 1–10.

https://doi.org/https://doi.org/10.1155/2021/4838957

Shing, C. Y. (2023). Mixed media installations by The House of Natural Fibre exhibit at the ArtScience Museum, Marina Bay Sands during New Eden: Science fiction mythologies transformed. Www.Flickr.Com. https://www.flickr.com/photos/25802865@N08/53427581198

Wiguna, I. P. (2020). Art presentation with scientific method, Hybridization in Annuitterra works. Proceedings of the 1st Borobudur International Symposium on Humanities, Economics and Social Sciences (BIS-HESS 2019), 503–507.

https://doi.org/https://doi.org/10.2991/assehr.k.200529.105

Zhang, C., & Lu, Y. (2021). Study on artificial intelligence: The state of the art and future prospects. Journal of Industrial Information Integration, 23, 100224. https://doi.org/https://doi.org/10.1016/j.jii.2021.100224

Informan

Anggota HONF yang terlibat pada pembuatan karya “Galactica V.1-2.1 Dharma Garden” 2024 dan “Immaculate Virtue” 2024.

DOI: https://doi.org/10.24821/invensi.v9i2.14193