Menyoal Ketubuhan dan Nilai Performatifnya
Abstract
Corporeality as an existance of human body related to object and subject around
is interesting to be explored, not only its capasity as an instrument of ritual
purposes but also as instrument of its daily “performative” expression. The
kinetic art is not considered belong to dance genre. It can be seen that the genre
is expanded to be fluid so that one finds a difficulty to define performance style
which not convensionally has form patterns indicated by its kinetic genealogy.
Through a profundity of the observation of human body motion related both
culturally and naturally to spatial “ecosystem,” one can see the performative
value instead of its conventional performance characterized by the form of
its creative tradition. Furthermore, contemporarily it can be indicated that
corporeality with performative values has a lot of opportunities to contribute
significantly within various aspects of ecocriticism. This is a kind of a critical
thinking in term of an efford to remind everybody to be aware of the relationship
between human and the environmental problems.
Keywords: corporeality; ecocriticism; performative value
Full Text:
PDFReferences
Eko Supriyanto. 2017. ”Tubuh Tari Indonesia:Sasi Kirana Dance Camp 2015-2016”.Manuskrip [tidak diterbitkan].
Emilia, Stevie. 2016. ”Sardono’s Unprecedented Retrospective”. The Jakarta Post. Agustus, 23 2016. Page 1-4.
Kleden, Ignas. 2004. ”Understanding Culture from Within: Notes from Essays by Sardono W. Kusumo. Paper. National Serial of Indonesian Performing Arts Seminar 19 & 20 Juli 2004 ISI Surakarta.
Machone, Josephine. 2011. (Syn)esthetics: Redifining Visceral Performance. New York: Palgrave Macmillan.
Mandoki, Katya. 2007. Everyday Aesthetics: Prosaics, the Play of Culture and Social Identity. Hampshire: Ashgate Publishing
Limited.
Mardohan B. B. Simanjuntak. 2017. ”Jejalin Konstruksi Sinestetik Fotografi”. Paper dalam Seminar Hari Estetika di Hotel
Cokro Bandung.
Sardono W. Kusumo. 2004. Hanuman, Tarzan, Homo Erectus. Jakarta: Penerbit ku/bu/ku.
Sugiharto, Bambang Ign., ed. 2013. Untuk Apa Seni? Bandung: Pustaka Matahari.
Widaryanto, F. X. 2015. Ekokritikisme Sardono W. Kusumo: Gagasan, Proses Kreatif, dan Teks-Teks Ciptaannya. Jakarta:
Pascasarjana IKJ.
Widaryanto, F. X.. 2016. “Sardono W. Kusumo: Refleksi Sensibilitas Ketubuhan”. Paper pada Public Lecture Art Summit pada tanggal 8 September 2016 di Auditorium
Pascasarjana Universitas Gadjah Mada.
Widaryanto F. X. dan Sri Rustiyanti. 2013. “Konsep ‘Lawang Sewu’ atau ‘White Box’ sebagai Fenomena Baru Proses
Kreatif Ketubuhan”.Jurnal Ilmiah Seni & Budaya Panggung Vol. 23 No. 4 Desember [Terakreditasi], hal. 342-356.
Diskografi
Painting Performance of Sardono W. Kusumo.
Sardono W. Kusumo. Jakarta: Dokumentasi
Pribadi, 2012.
Informan
Padmosusastro, 1911. Serat Tatacara. Semarang: Tuwan H. A. Benyamin dalam http://www.sastra.org/bahasa-dan-budaya/
-adat-dan-tradisi/264-tatacarapadmasusastra- 1911-176-hlm-001-102.
Diunduh 16 Desember 2013.
DOI: https://doi.org/10.24821/dtr.v2i2.3309
Article Metrics
Abstract view : 0 timesPDF - 0 times
Refbacks
- There are currently no refbacks.